BEWEIST

My aim is to show how Bach’s approach in his vocal music reveals his mind at work, his temperamental preferences as well as his philosophical outlook. So how does music reveal the mind?

Choreography by Stephanie Martinez

Dancers: Julie Davis, Kristina Ancil Edwards, Alexa Gajeton, Olivia Gotsch, Anja Kripowicz, Josuah Moïse, Miguel Perez, Hannah Redfearn-Loss, Solana Rios, Lydia Ross, Amelia Virtue

Music: Constellation Electric Rain: Largo from Sonata in G Major, Constellation Hiraeth: Adagio from Sonata in B Minor, & Constellation 999 by Johann Sebastian Bach, Tamar Halperin, Etienne Abelin & Tomek Kolczynski

Costumes: Kristina Ancil Edwards

THE PRESENT TENSE

“The Present Tense” delves into the delicate balance of distance and closeness between people bound by impossible relationships. It reflects the hope for connection in a world where our generation faces confusion, division, and the constant challenge of bridging differences. Through movement, we explore the fragile possibility of togetherness amid the complexities of modern life.

Choreography by Norbert De La Cruz III

Dancers (Varies by performance):

Friday and Saturday at 7 p.m.
Alexa Gajeton, Josuah Moïse, Miguel Perez, Amelia Virtue

Saturday at 1 p.m.
Julie Davis, Kristina Ancil Edwards, Olivia Gotsch, Lydia Ross

Music: Tuesday’s Child by Jesse Cook

CAIRN

UNDERWRITTEN BY ERIN & JASON FORSYTH

The world and its grief like a large stone in the pit of my gut. The foundation of mountains and the ammunition of the avalanche. 

Directed & Choreographed by Mike Tyus & Luca Renzi of Mike Tyus & Co. in Collaboration with the dancers.

Dancers: Julie Davis, Kristina Ancil Edwards, Olivia Gotsch, Anja Kripowicz, Josuah Moïse, Miguel Perez, Solana Rios, Lydia Ross

Music: Oren Ambarchi

Costumes: Kristina Ancil Edward